I grew up on the South Florida coast, close enough to the water that it shaped how I see everything else. I picked up a camera with no formal training and taught myself by going out and getting it wrong, usually before sunrise.
Most of my work happens in the few minutes when the light is doing something it won’t do again. Lightning over the Jupiter Inlet Lighthouse. A full moon rising over Coral Cove. The moment a wave pulls back off the sand and leaves the entire beach mirroring the sky. I’ve shot some of these locations
dozens of times waiting on a condition that lasts four minutes.
Florida is where I started and it’s still the center of the work, but the pursuit has taken me to Manhattan, Chicago, the Smoky Mountains, the Carolinas, and below the surface.
I handle everything from capture through installation. The color, the compositing, the substrate, the size, and increasingly the wall itself. A growing share of what I do now is full-room and whole-home commissions for interior designers, builders, and private collectors, including multi-panel installations running eighteen feet wide.
I print on Lumachrome TruLife acrylic, ChromaLuxe metal, and gallery wrapped canvas. Not because the names sound impressive, but because a photograph at five or six feet either holds up or it doesn’t.
If you’re considering a piece, I’ll show you a mockup of it on your actual wall before you spend anything. That’s how I’ve worked for more than a decade, and it’s still the part of this I enjoy most.
